serijava imase barem edna dobra strana - si gi preprocitav stripovite i gi docitav novite 20-tina epizodi sto izlegle vo megjuvreme.
stripot e stvarno sovrsen, ne e ni cudo sto ne moze serijata da go sledi,
tolku moralni hristijanski dogmi se prekrseni vo stripot sto nema sansi seto toa da odi na amerikanska TV,
pa makar i kablovska

Hear! Hear!

Во контект на жанро на серијава... го има некој гледано Zona Mrtvih [2009]?

Српскиот Зомби хорор? Лаф го има гледано. (мислам... )

Da ne bese izdaen ovaj i pod titel ZOMBIES OF MASS DESTRUCTION?

Abe....ja istupeja skroz....ako prodolzhat vaka....1 sezona nema ni so shejn da zavrshi.........

Shteta sho skrshnaja od stripot.....ke beshe kultna serija.....vaka e samo dobra serija. Ako terat vaka duri da stignat do aktuelnite slucvanja vo stripot ke im trebaat 15 sezoni.....sho nema da se sluci.......gad demit....

Ke ja gledam....me bendisva....ama ja usraja.

ја пропуштив првата половина синоќа и бев ко од марс паднат.
од остатокот што го видов не сум задоволен ич.
вотдафак е онаа лаб у која дојдоа?
кога беше репризата?

Во 5. епизода имаме научник кој што се обидува да го најде одговорот за појавата на зомбите, нешто што на Киркман во стрипот не му паднало на памет во, еве веќе, 79 броја. Сепак, не верувам дека ќе дадат некое објаснување сеуште, нели демек му пропаднаа материјалите... Но тоа не е утеха, работава не ја бива.

decki posle ovie posledni komentari, mislam kje se otpisam od serijava,
imam popametna rabota otkolku da gubam vreme na toa.

a za onie koi sakaat da diskutiraat za strip serijata -

И јас не ја догледав, заспав на пола серија.
Инаку да ова е добра серија ако се гледа одделно од стрипот, ако се прави паралела е чист промашај.
Како и да е сега за сега не ја откажувам.

И ја немам намера да ја откажувам, чисто ради тоа што голтам кнедли при некои моменти и си викам: не ја мрази, не е по стрипот, не е по стрипот...

За откажување не станува збор... Зомби се секогаш добредојдени на малите екрани.

ионака уште само една епизода ни остана

Јас изгледа се откажав после првата епизода. Еве, се терам недела дена да почнам со втора, никако не иде. Многу лош aftertaste изгледа ми остави.

Ха, пази ова!

Frank Darabont FIRES entire Walking Dead writing staff



With The Walking Dead about to finish its first season this Sunday, how is executive producer and guiding light Frank Darabont celebrating the show's huge success? By firing the series' entire writing staff.

According to , Darabont canned all the writers for the show, including executive producer and second-in-command Charles "Chic" Eglee. It's not unusual for TV show writing staffs to go through changes between seasons, and sometimes the staff is even "laid off" temporarily during a hiatus. But Darabont's move is more surprising, as is the news that he might not even retain a staff for the show's second season.

Instead, Darabont may use freelance writers to pen the scripts for season two rather than keeping a full team of scribes on the payroll. When you look at the credits for the show's first season, it kind of makes sense: Darabont himself wrote two of the six episodes and was heavily involved in rewriting or co-writing the other four. Of those, two were written by outside writers, one was penned by Glen Mazzara, and the fourth was written by Robert Kirkman, creator of the comic book on which the show is based. So it doesn't appear that the full-time staff was a necessity.

If he does plan to use only freelancers, however, Darabont could run into problems with the Writers Guild, which frowns upon that sort of thing on a network series. And with AMC ordering 13 episodes for the second season, the workload may be much heavier—possibly requiring Darabont to keep a bunch of writers around all the time anyway.

No final decision has been made yet on how this will shake out, and there's still time to iron it all out, since AMC doesn't plan to launch season two until around Halloween of next year. We hope that Darabont knows what he's doing, especially since The Walking Dead has been so freakin' awesome so far, but what kind of signal does it send to fire a hit show's entire writing team?

Ова звучи интересно, можеби ќе видиме нешто подобро во следната сезона. Ако не ја укинат серијава скорз у меѓувреме.

hahahaha......ne ja gleam serijava ali spored jim krueger sto pisa ratingot e konstantno dobar 5 milionski.....kako i da e MNOGU mi e hardcore potegov...."ne mi odgovara nekako so stripot malce zabegavte aj brkajte rabota"

Серијата е гледана и ќе трае... И нека, зомбите тоа го заслужуваат.

Why dumping Walking Dead's writing staff might be a GOOD thing



The news that executive producer Frank Darabont has fired the hit show's already small writing staff—and wants to go without for the second season—has sent a ripple through Hollywood. Relax, Deadites: This could work.

Of course, seeing anyone out of work is never a good thing. And in episodic television, there are always tons more writers than there are jobs, so the news that The Walking Dead might turn to a freelance-driven model came down like an anvil among members of the creative community.

But the idea of a show fueled primarily by freelance writers isn't new, nor is it necessarily bad. In fact, it was par for the course in the '60s, '70s and '80s: A small cadre of writing producers would chart the course, take some choice stories for themselves to write, assign the others and rewrite them when they came in. Classic Star Trek worked that way, as did The Twilight Zone before it, as did countless non-genre TV dramas.

Is there a virtue in having a writers' room, in fostering the free-flowing exchange of ideas, inspiration and experience? Absolutely. But that's not the only way of making television; there are others, and they are perfectly capable of turning out excellence. Babylon 5 was written nigh-exclusively by J. Michael Straczynski, and didn't have a writing staff. Every line of dialogue during the first three seasons of the Emmy-winning West Wing came from Aaron Sorkin's keyboard; the writing staff there served more as a platoon of researchers.

Turning to freelancers might allow for a shorter production schedule, with a dozen writers all working at the same time, turning in an avalanche of material simultaneously to then be honed and polished by executive producers like Darabont and Robert Kirkman. And production time is production money. No matter how big a hit The Walking Dead is, it's still a cable show on a small network: Every dime they can save will get you one more awesome zombie death.

And freelancers will get you new voices, fresh legs to help carry the drama over the long haul. They can also come from anywhere: Wouldn't it be sweet to see Stephen King bounce in for an episode, or David Chase, or Neil Gaiman, or Steven Moffat?

Ultimately, this hue and cry is all just anger from a very tiny population. The viewers of the show, by and large, don't know or don't care how the show they like gets pumped through their viewing screens, just that it shows up when it's supposed to. They don't want to know how you make the sausage, only that they get to eat it. And just that it continues to taste good.

Like brains.

...а ова беше појако од мене...



...Next week they’re introducing a mysterious new character named John Locke! I wonder what he’ll be like.